Sublimation
By Kyle Dargan
Grant me this obsession: any image
depicting an entity as it disappears—
stock-still vanishings
that seem far
different than cardiac arrest,
different than the plasma
rivers within
that draw parched, mud-cracked.
A pure fish needs not water nor blood.
Everything in the universe is already
swimming, or clinging
to some dark matter raft. Or so I am told.
Or so I observe as I study a sketch
of a horse galloping
into shapelessness—its head
and neck becoming coral then sand
then emptied space. The horse has not been
dispelled. The horse is substantiated
across the page and beyond
the framing black, its bits
corralled at last by my inhales. Do I become
the horse? One answer:
what of us is not related through sublimation
—the phase matter enters when it grows
weary of holding
form? I am tired. I want to be
worthy of an alternative undoing
to which I might surrender—
another atomic process,
a dissolution
more ecstatic than decomposition,
to punctuate my clearing
sigh.
My kinetic flesh
relinquished for the uncolored, odorless,
tasteless ubiquity of a vapor.