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Intersection #6
“Ghosts assemble us again tonight. Ungrateful: this / page, white space, window-light. It will not be enough / to write. It will not be enough to rise and praise // the disappearance of all that came before us.”
“Ghosts assemble us again tonight. Ungrateful: this / page, white space, window-light. It will not be enough / to write. It will not be enough to rise and praise // the disappearance of all that came before us.”
By Alan Chazaro
“Pocho Boy Meets World” is a Latinx poetry column written by California poet, Alan Chazaro. Join him as he eats his share of quesadillas and uses broken Spanish in hopes of connecting more deeply with what it means to be a U.S. Latinx writer in Latin America. This month, he’s exploring Brazil.
“The dream is back: I search the BC wilds for my father, bargaining with that impenetrable landscape, our god, to let me find him alive. Tonight, I am lost in a blizzard and I have to choose to forego looking for him in order to live. I have to choose to live.”
By Alan Chazaro
“Pocho Boy Meets World” is a Latinx poetry column written by California poet, Alan Chazaro. Join him as he eats his share of quesadillas and uses broken Spanish in hopes of connecting more deeply with what it means to be a U.S. Latinx writer in Latin America. This month, he’s exploring Brazil.
With Intersection, her monthly column, celebrated poet Chelsea Dingman enters a place of questions left hanging—of lyric understanding, of addiction, and womanhood, and politics, and death.
With Intersection, her monthly column, celebrated poet Chelsea Dingman enters a place of questions left hanging—of lyric understanding, of addiction, and womanhood, and politics, and death.
With Intersection, her monthly column, celebrated poet Chelsea Dingman enters a place of questions left hanging—of lyric understanding, of addiction, and womanhood, and politics, and death.
By Alan Chazaro
“Pocho Boy Meets World” is a Latinx poetry column written by California poet, Alan Chazaro. Join him as he eats his share of quesadillas and uses broken Spanish in hopes of connecting more deeply with what it means to be a U.S. Latinx writer in Latin America.
With Intersections, her monthly column, celebrated poet Chelsea Dingman enters a place of questions left hanging—of lyric, of addiction, and womanhood and politics and death.